I Aim For Runners

I just heard that a 16 year-old driver killed a male jogger while she was texting. That is just outrageous!  I know there is enough suffering and injustice all over the world – insurgencies, terrorism, military misbehavior  and abject poverty, and my heart goes out to all of those who are victimized. But this incident tugged at my heartstrings as well. I AM A RUNNER and it is because of the increase in distracted driving that I have mostly avoided my beloved routes along the roads as of late. Fearful of just this type of tragedy, I’ve been forced to run on park bike paths and on high school tracks. My message to ALL drivers: If you insist on being a slave to your electronic devices, be my guest. It’s fun to message back and forth all day, as long as you DON’T DRIVE A MOTOR VEHICLE while so engaged. It will surely take some self-discipline, but we ALL must fight this temptation.

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Bonjour Classe et Au Revoir

This is probably irreverent in terms of the film I just saw, but honestly, what teacher hasn’t wanted to hang herself at one time or another? All kidding aside, “Monsieur Lazhar” is a delicate film that is smartly directed by Phillippe Felardeau. We are introduced to a class of typical twelve year olds, whose beloved teacher has departed in an indelicate manner, leaving her children traumatized. Two student standouts, Claire and Simon, played by Sophie Nelisse and  Emilien Neron, respectiveily, certainly helped this film win an Oscar for Best Foreign Language Film and Best Feature Film at Toronto,  but it is Simon’s acting out, both literally and figuratively, that tore at my heartstrings.  Mohamed Fellag (Monsieur Lazhar) as the new hire from Algiers, foiled by the principal (Daniele Proulx), deftly deals with the pent up emotions of his charges by using the fable structure as a vehicle.  The multi-layered plot contains obvious tragic parallels, but this film takes no cheap shots to lure the audience. After about an hour and half, the screen goes dark: “Fin.” I  wanted more, but fully understand that somehow the film editor knew when to “cut.”

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Matilda

“Matilda, Matilda, Matilda- she take me money and run Venezuela.” Growing up and listening to Harry Belafonte on the family hi fi  was my first encounter with the name “Matilda.” And then came Roald Dahl’s bizarre short story, which was later made into a movie starring Danny DeVito, wife Rhea Perlman and that adorable Mara Wilson in the title role. The year was 1996 and I was in the throes of my teaching career. Literature to Film was one of the courses I taught, and always on the lookout for new material, I decided to take myself to see “Matilda” one rainy July afternoon. Little did I realize that a rainy July afternoon meant “movie day” for all the local day camps. I found a seat, soon to be surrounded by groups of children, buying candy, eating it, throwing it and talking incessantly – until  the movie started. The theater went dark. The squeaky little voices quieted down and the screen lit up. Finally the feature presentation was set to begin. Warner Brothers presents…. “A Time To Kill.” The opening scene is a graphic rape scene, but the kids in the audience never allowed it to come to that. Thank God  they began plaintively calling out, “THAT’s not MATILDA!” until it became a chant. But the movie continued to play. This was unacceptable. I was just about to get up and run back to alert the management, but a camp counselor beat me to it and, “Cut!” “A Time to Kill” was aborted and after being forced to endure a few more trailers, “Matilda” began a few minutes later.

Now “Matilda the Musical” is heading to Broadway next season (and that’s what this was leading up to.)

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Call Me Golfer

Okay, let’s not get carried away. Annika Sorenstam or Michelle Wie I am not and never will be, but today’s round of 9 holes has me hoping that I won’t be laughed off the fairways this year. I’m relaaaaaxed. Eureka! It’s been a long time coming, but Ellen, my golf guru, offered me some encouragement about a month ago when we went to hit about a million balls at the driving range. (Just kidding. Only a half a million.) Most of my shots were good that day – much to our surprise. We figured out that I went there with little or no expectations; my competitiveness went out the window that day and as a result, I was fluid and natural. But that was a month ago.

 Today I showed up to meet Paula, one of my golf buds, and I think I finally earned my nickname: Mel-o. In the 57 shots it took me to play 9 holes, more were decent than not – with even a few good ones thrown in. Since when do I know how to chip? Today I do. Not bad for Day 1 of Season 3. Next round: can Ellen come out and play?

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A Teacher Humiliated – Fall 1981

It was September 1981 and after teaching for 8 1/2 years at Maxwell in Brooklyn (and loving it), I had just transferred to a high school in Queens. Being the new kid on the block, I was assigned five English classes, a homeroom and a period of cafeteria patrol. In the cafeteria was a dead ringer for an ex-con who was shooting dice one day and dealing Three-card Monte the next. He was a nasty lowlife and naturally refused to stop the gambling ring, so I was forced to refer him to the dean.  I’m  sure he was suspended (he probably had a dean’s record a mile-long), but the very next day, I walked into my homeroom along with my 35 students just as the late bell was ringing to find the teacher’s desk on its side and every drawer upside down on the floor with papers strewn everywhere.  This s.o.b had arranged for his posse to destroy my room! It couldn’t have been anyone else given that this sort of thing was not a common occurrence at Richmond Hill. What was even more humiliating was that this room wasn’t even mine for most of the day. It was my homeroom, but I shared the room with at least two other teachers throughout the day. It was mostly their stuff all over the floor and I felt horrible about it. You will NOT find this dark episode in my book. I never even thought about it until now, but as the book jacket of Take Off Your Hat and Spit Out Your Gum includes: “It was not all sunshine and daisies. She had her share of intense encounters with troubled students that tested the very boundaries not only of education but of human perseverance and understanding.” This incident never made it into the book because it was just an incident. I had no further dealings with this kid, but the real reason is that you’re not laughing now, are you?

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Lunch at Tiffany’s

Ever go to a museum expressly to see one particular exhibition that proved to be underwhelming, but while you were there you happened upon something else that was truly entrancing? That was precisely my sentiment at the Nassau County Museum of Art. I attended what was billed as a brown bag lunch ‘n’ slide lecture on the paintings of Louis Comfort Tiffany yesterday. It was an interesting enough hour and I’m not sorry I was there, but the art works which were projected beautifully on the screen did not deliver up close. They were mostly dull. Maybe it was the lighting (or the lack thereof) because Tiffany was a trained fine artist whose shadings and colorations are next to none. You can see that in his glass which most people are mad about. I strolled through the rooms and saw the entire exhibition of gorgeously framed paintings, (Can I have the frames?) but what I did stumble upon was a non-Tiffany room filled with what the artist/sculptor Nathan Sawaya calls “brick art” aka LEGO-art. In that room I could’ve taken home almost any one of his works. His sculptures resonate with the theme of breaking out and finding freedom, in this case a personal journey. Sawaya was a Wall Street attorney who in his earlier thirties decided to break out and follow his dream of making LEGO art. Now 39, he’s immersed in it and it’s out there for us to enjoy – along with Tiffany’s glassworks wherever they may be.

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Marathon at the Met

No, this marathon is not a running event. I wouldn’t recommend an indoor marathon anyway, but my best museum buddy Sande and I certainly give the museums a run for their money. On Friday we visited the Metropolitan Museum of Art for an invitation-only preview of an ambitious show of the early 20th century Parisian art acquisitions belonging to patrons Leo, Getrude and Michael Stein. It took us just under four hours to view the 200 pieces spread out in what seemed like a never-ending labyrinth of galleries. (Four hours is about as long it takes to run a marathon.) The pieces were stunning! There were numerous Picassos, Matisses, Renoirs, and Cezannes as well as lesser known artists who were directly influenced by these masters. I would love to own at least half of what I saw, although Sande and I play a fantasy art viewing game in which we each select one painting we’d like to take home from each room in an exhibit. Alas, we’re not the Steins and so we had to go home empty-handed with only the visual memories dancing around our brains. Food for thought: The commentary on one Cubist painting by Andre Masson called “Man in a Tower” quoted the poet Stephen Mallarme. The painting shows a man who is probably incarcerated with dice in his lap. The quote: “A throw of the dice will never abolish chance.”

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Escort Service

If this headline grabbed your attention, don’t get excited. It’s not what you think. Instead, it’s all about George Lucas’s latest and purportedly, his last blockbuster, Red Tails, directed by Anthony Hemingway. This is clearly not a remake, but certainly a derivative of the 1995 HBO movie, The Tuskegee Airmen; both films seem to have mined the same historical sources. Interestingly (and disturbingly), the Hollywood icon, Lucas,  still met with opposition when he sought backing and was forced to produce it on his own. (As executive producer, he shelled out $100 million.) Both films examine the bravery of the WWII U.S. Army Air Corps’ first squadron of black fighter pilots who were trained in Tuskegee, Alabama, but Red Tails contained many more riveting scenes of sky combat. I used to teach The Tuskegee Airmen to my film classes in February in celebration of Black History Month, so it’s certainly fitting that I saw the new film on this February day. Cuba Gooding, Jr. was a young gun amid a star-studded cast in the 1995 version of the story, and now he’s matured into the convincing role of an officer, Major Stance. I was disappointed that this script avoided any mention of Eleanor Roosevelt’s role in promoting the 332nd Fighter Group that I found so memorable in The Tuskegee Airmen, but this was the scriptwriter’s decision made in a different era. The 332nd was eventually deployed as bomber escorts in Europe, a tribute to their proven skills as U.S. Army Air Corps pilots. Aside from the fact that the name of the film, Red Tails, reminds me of a chain restaurant that features lobster, this moving tribute to the “Fighting 99th,” flies.

P.S. In the last scene, my friend Sande had to take out a tissue and I tearily leaned over to ask her if she could spare one for me.

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Another “Diary” Bites the Dust

Once again Michael Pollak, the editor of the weekly “Metropolitan Diary” in Monday’s New York Times has rejected my submission. Again I ask: What DOES he want? I found last week’s collection of published entries to be especially abysmal (you be the judge), and I had hoped that this time, my friend Abbie’s story was enough of a  slice of NYC life to be a shoo-in. I was wrong. Since there is no New York Times copyright on it, I am sharing it with you:

Dear Diary,

 ”Oh God, I lost my ticket!”

My friend was just returning to Penn Station one recent Sunday to catch her Amtrak train home when she discovered she was ticket-less. She frantically made her way to the ticket line, which was long and getting longer by the minute – and her train was scheduled to leave in five.

Waiting in line to buy a ticket for her scheduled train would be fruitless. Suddenly there appeared a railroad official in a cap and figuring she had nothing to lose, she gasped, “Sir – I lost my Amtrak ticket and my train is leaving in five minutes!” If I stand on this line, I’ll never…”

  ”What’s your name?” he interrupted.

  ”Abbie Schiff.”

He reached into his pocket and fished out her signed ticket to Rhinecliff. “I found this up on Seventh Avenue a few hours ago.” This knight in shining armor handed Abbie her ticket in what just became a NYC fairytale ending.

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Extremely Annoying, Incredibly Unwatchable

Jonathan Safran Foer’s novel, Extremely Loud & Incredibly Close, is from what I have heard, a good read. I regret that I haven’t read it, after almost walking out on Stephen Daldry’s film of the same name. There could not be a more annoying child actor than Thomas Horn, who plays Oscar (no pun intended)  amid a star-studded cast. His over-the-top, screeching hysterics detracts from the tragic story of a father and husband killled in New York on 9/11. I’m certain I would’ve appreciated this story more in book form. Oscar’s father (Tom Hanks) was an informed science nerd who went into the family business, becoming a jeweler. All of his eccentricites rubbed off on the boy. The grieving son went on a quest and once he solved his puzz;le, it was only then that his mother (Sandra Bullock) was able to open up and display any tenderness towards him. She was hurting as well (her husband was a very loving and lovable  man), but the film was not her story. It was precocious Oscar in every frame, filmed on the streets of all five New York City boroughs. Even with the support of his grandparents, there was still  something missing that I can’t quite put my finger on. Let’s all read the book and please let me know what you think.

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